Southe East USA

 
 

Being Together in Dance

If you are in a group number you need to be able to coordinate your moves with others when on the stage. Here is how to master the art of matching your movements to other dancers. Do not try to stand out from the other dancers. By matching other dancers in movements, style timing, and energy is an equally challenging skill that after practicing at home needs a tune-up. You have to commit from being a soloist to immersing yourself in the group and retaining your individuality. Following are ways to become a better team player and create powerful group performances.

Watch Each Other:

Observing each other helps dancers approach choreography and can help you observe the movement style of others. Take videos at the end of class or at rehearsals then dancers can each study and analyze whether they are dancing as a unit. Also, watch other dancers in class when you are not dancing. Watch as they go across the floor or in the center. Find something you admire and try it yourself.

Refine Your Focus:

You have to have an inner-outer focus by staying aware of your fellow dancers when you perform. You have to practice this inner focus. It helps you to feel what is going on beside and behind you as you see peripherally. As you are looking out, you are also looking in. It is a sophisticated way of focusing. This starts by using the mirror wisely in class and rehearsals. Avoid staring at yourself instead scan the room as you dance.

Master Musicality:

Timing is a must when dancing in a group. Count the music as soon as you get it. If the rhythm is unfamiliar, listen to it while standing still and picture yourself doing the choreography to it or count and clap the rhythm exactly the way the music sounds. Make sure you understand where the beat is. Focus on knowing the music backward and forward before you start to dance to it. Once you know what you are doing and everyone else does too then you will all be together

Breathe Outloud:

The breath is what keeps people together. When beginning a new piece breathe out loud. Once you know the piece (meaning everyone in the piece), then you breathe silently. This helps to keep the dynamics of the piece as one. If all dancers are breathing rhythmically and naturally then they are cohesive. If breathing shallowly it is not sharing with each other. You will not connect.

Connect Backstage:

Just like doing partner work, you have to connect. Squeeze the hands of the hands of the others. etc This allows energy to pass from one to another. This really helps! Be sure to train each dancer on how to move from the wings to the stage and how to leave the stage. This is important, especially in new surroundings This makes sure all performers arrive musically on stage.

Morwenna Assaf, Artistic Director

Art/Dance Academy, Cedar Productions, Tales1001

Walid Assaf, Music Drector,

Art/Dance Academy, Cedar Productions

Categories: Author, Belly Dance, Dance Coaching for ME Dancers, Educator, Egyptian Dance, Ethnic Dance, Events, finger cymbals, Intensive Classes, Lebanese Dance, Middle Eastern Dance, Music & Rhythm, Orientale Dance and Folklore, Southe East USA, Uncategorized, Workshops, Zills | Leave a comment
 
 

Little Christmas in Eastern TN

In San Diego it was an annual event that every Christmas Eve we would have an open house and invite any and all involved with the dance studio etc. People were invited to come to our house . Basically the idea was to invite everyone who had migrated to Southern CA and had no family with which to celebrate Christmas. We became a family. We did that for 17 years and loved it.

In January 2019 we had invited a couple we consider close friends with a friend we had met through them and their son. The date happened to be “The 12th Night of Christmas which fell on Jan 6th. The Feast of the Epiphany. No one here celebrates 12th Night. Most people have their Christmas trees down on the latest the day after Christmas which to me is Boxing Day. Yes, we are different. I was raised between England and Montreal, Canada. In our family a tree was not put up till Christmas Eve and stayed up through 12th Night. Plus, my Lebanese husband and the 6th of January is a big day of celebration.

So, this year we decided to invite those same friends from last year plus a couple more friends that are dear to us- Marlayne and Maggie! So, with us there was eight people in all. A small but wonderful group. Walid cooked all day. This was to be a treat. Something we will repeat every year. Our guests arrived at 6:30pm We had a wonderful dinner. Conversation was great! Our friend Doctor John had just retired so this was something to celebrate. He was a professor at UT for 34 years. Also, this year he got his Phd from UT Something else to celebrate. Laurie a friend of John & Sharon’s had just graduated with her BS. Go, Laurie! Her son, Jonathon, a special needs person of 17 graduated from high school. Walid, gave him a derbecki. (Lebanese hand drum) as a gift. He was elated. He was a happy camper. Our friend Marlayne had just turned 70 a few months ago. So that was her milestone. Maggie got a divorce and has a new lease on life. She is going to Europe for the first time in a few months. Walid and I were celebrating our good health and the good health of a close family member. So much to be thankful for. We all had so much to share and celebrate.

After dinner we all went downstairs to the dance and music studio. The music started, the keyboard and drums were brought out. The music started. Someone played the keyboard and others played drums including Jonathon on his new drum. Everyone was dancing. The party was on. This was OUR Little Christmas in Eastern TN. What a great time of celebrating with good, good, no great company. A tradition is started. Maybe not the original idea of the Epiphany but definitely a day to remember for the second year in a row. We all realize good friends are few and far between.The date for next year is set. So remember January 6th is the Feast of the Epiphany or 12th NIght, if you like. And, yes, that is why we have Christmas lights outside till after 12th night. The Three Kings need to follow the light.

NB: Sorry no pictures this year. Will make up for it I promise.

Morwenna Assaf – New Market TN
Tales1001@sbcglobal.net

Categories: Educator, Lebanese Dance, Middle Eastern Dance, Southe East USA | Leave a comment
 
 

Using Your Upper Body in Dance

Epaulement should be a natural part of your dancing. This term epaulement actually means shouldering in French. This is in fact a fallacy as it has nothing to do with the shoulders per se. Using epaulement can elevate your technical proficiency. It can be a be subtle dynamic and exciting. It is the punctuation at the end of a sentence. The head and eyes are the exclamation point.

Epaulement gives gives a third dimension to the dance. It shades what you are doing and gives it depth and color. It creates energy from the inside out. Yes, the shoulders move. But it is movement that involves the rib cage upwards. The whole upper body is utilized – ribs, shoulders, neck, head, arms, hands and even the eyes. Look a beautiful statue (say Venus) and flatten out the front, remove the angling of the torso and shoulders. Now it is just plain uninteresting!

Tricks of the Trade:

  1. Do a combination with a fan. This will give you the feeling of having to lift chest, shoulders and head in opposition. The pretend you have a fan and do the same combination.
  2. Do not overturn your body to the corner. It makes you look like a washing machine, throwing yourself from side to side. Why? Because there is no opposition.
  3. Do not let your movement end at the neck. Energy needs to run through your complete torso, lengthened waist, lifted chest, swan neck, and eyes that look and see.
  4. Do not forget epaulement in fast work. This makes your work even more exciting.
  5. Do not sacrifice epaulement for height in extensions. See where the head and arms should be. Put these in your muscle memory. Now extend!
  6. Do not let your collarbone be parallel to the floor. Strive for it to be on a diagonal. This comes from having life in the waist, back and chest.
  7. Do not overturn your chin to your downstage shoulder when on a diagonal/croise. Turn your face ahead, then tilt the head allowing the jaw to move in space as the chest lifts simultaneously.
Lucia of San Diego

Try these things and see how much better your dance will look. Any questions give me a shout at ArabiDanseAcademie@sbcglobal.net or by phone at 760-715-2276. We can even get together online on Skype at MoWalid22. We run Art/Dance Academy and have been teaching and coaching dancers for over 40 years.We will be glad to answer any questions about either Arabic dance or Arabic drumming.

Categories: Arabic Music, Author, Belly Dance, Dance, Educator, Egyptian Dance, Ethnic Dance, Events, finger cymbals, Health, Intensive Classes, Lebanese Dance, Middle Eastern Dance, Music & Rhythm, Orientale Dance and Folklore, Southe East USA, Uncategorized, Workshops, Zills | 1 Comment
 
 

ADA -EL FEN TALES 1001 CEDAR PRODUCTIONS

WINTER QUARTERLY NEWSLETTER:

This year is almost over. Walid and I are looking forward to a prosperous and healthier 2019. We are making many changes to our schedules. We will keep you notified with monthly News updates as well as a quarterly overall rundown.

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2018 has been an interesting year with some ups and downs.There has been disappointments and high points. Our lows have been due to some health issues that will not go away. Because of this there will be changes to our schedules. Life here in TN is quiet. 2018 found us in both Jacksonville, FL to visit dear friends and Orlando, FL to teach and visit with peers from up north. Thank you Donna Salem and Melanie LaJoie along with Milly and Neva. Was great to be there and rekindle old friendships and new. We also went to New England. Vermont , to be precise. Enjoyed a fabulous time with Kay Campbell and old friend from MA and author of the best selling book “Caravan of Brides”. Plus Samantha Burnstein from Montreal and Alia Thabit author of “Midnight at the Crossroads” The workshop was excellent and we thank Amity Alize for that. We then proceeded to go to Montreal and visited old friends from San Diego. My old alma mater. Loved it. We then drove back to Upstate NY. Forgot how beautiful the Adirondaks are. Stayed in a summer place and taught a one on one. Very pleasurable. Visited in New Bedford MA, Taught Origins in Worcester MA. Finally arrived home completely wiped out after visiting with family friends (both dancers and musicians. Finalized the year with a visit from long time friend Linda Berry aka Nezera. We spent a great few days checking out the local place here. Like I said TN is a quiet place.

Join US

In 2019 we have plans on staying put so we can get allergies under control. There are plans in the works for us to be in Los Angeles the last week of March into April. Our friend Fadi el Saadi of Lebanon will be there working with his drummer Diana Rash of Mexico City. Time to catch up again. Plus Enheduanna formerly of Rhode Island and Lucia of San Diego will both be in the show. Cannot wait. Then off to San Diego to teach a workshop. The dates for that are tentatively April 6th & 7th. More on all of this later.

Later in the year we will be teaching again in New England. This time in Rhode Island for Kanina. The dates are not set yet. Either the end of May when we are there for a family wedding or in the fall. Of course going to New England means visiting our dear friends the Matzens in CT.

Am very happy to announce I have been asked and I said yes. I am honored to be on the Board of Directors of the Beledi Dance Company of Rhode Island along with some very prestigious New England names. These ladies are fantastic and I am thrilled to be included.

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As our direction changes due to the logistics of the dance at this time, we will be doing more on line and locally. We will be continuing the Blog posts on WordPress and expand. We will be adding Podcasting the beginning of the year Possibly later more on line and Videocasting. All of these are run through Tales 1001 but include the studio of course. Still doing some research in the above areas. But am sure it will keep us busy and close to home but still helping to share the dance with those interested.

That is our aim as it always has been, to educate and help dancers achieve their wishes in our dance.

We will be running several things through Cedar Productions. Since there are no other musicians or venues to perform in the area. We will be starting several things to bridge this gap:

  1. CEDAR CAFE: This will be held the last Thursday of the month starting Jan 31st. It will be held in our studio and covered on Skype from 7:30-8pm. This will be a chance to listen to your favorite songs. Learn a few rhythms with Walid. Learn to Debke and just generally have a good time. Come and ENJOY!

    Hajji Baba SD

  2. ADA-EL FEN: Open Belly Dance Classes will be held on a monthly basis on Saturdays from 1:30-3pm. These will be a mixed level class. Every month will be a different theme..g. 1. Back to Basics. 2. Zills & Rhythms 3. Veil Work. These will be Skype classes so no one has to leave their home. These will be dance classes and will be informative too

  1. R.A.I.S. TRAINING:This will be a quarterly. Class will offer Certification classes to all attendees who are interested in being an instructor of belly dance. This is open to new and experienced teachers. A definite MUST for instructors at all levels.The first class will be held Tuesday February 26th from 7-9pm on Skype. Then again in May, August & Nov.

Boston Class Mo

  1. QUICK START – BELLY DANCE: This is for the new or want to be students of belly dance. The curious ones who do not know really what it is all about. We will cover a little background on the dance, costuming and how to take class. Find out the truth about belly dancing. We will cover basic movements and steps and maybe a short combination. This is also run quarterly. Tuesday January 29th at 7:30-9pm. On Skype.

    5. LIFE IS MOVEMENT: This class is for those who need basic moves for health and welfare. Do you need help , want to move better? Have more confidence and self esteem. This will give you the basics of Unity Yoga, Petite Pilates, Somatics and a Basic Ballet Barre. This can be done in the studio or on Skype. Time slots can be anywhere from15 minutes to 1 hour, depending on your needs. Open days are Mon and Thurs 1-4pm. Book your time segments.

    Keep your spirits up!

  1. REGULAR BELLY DANCE: Classes and coaching available on a regular basis. Available days Mon & Thurs 11am -12:30pm. Plus Tuesday 5-7pm Wednesdays 1-5pm. Grab your slot before they are all gone.

  2. CREATIVITY – Checkout our daily blog on Creativity starting Jan 3rd on Facebook. This is something I started Jan 2018 and swore I would do daily for a year. I did take time off in July and then came back. Roughly 100 days to go. Checkit out. Can be used to help any creative endeavor. FB=Morwenna Assaf

  3. BLOGGING – Daily on Facebook under Morwenna Assaf starting January 3rd. Complete the year I started. This one is all about creativity as an artist. Check it out. Regular bogging will be the 1st and 3rd Wednesday of every month. Check out WordPress and our website (https://Tales1001.webs.com) . You will get notification of other places as we progress.

  4. PODCASTING – This will be broadcast the 2nd and 4th Thursday of every month.

Dancers Beirut

Thank you all for a wonderful and exciting 2018. See you next year.

Categories: Arabic Music, Author, Belly Dance, Dance, Educator, Egyptian Dance, Ethnic Dance, Events, finger cymbals, Health, Intensive Classes, Lebanese Dance, Middle Eastern Dance, Music & Rhythm, Orientale Dance and Folklore, Southe East USA, Uncategorized, Wellness, Workshops, Zills | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

What Does it Take to be A Dance Teacher? Yes Even A Belly Dance Teacher

Teaching anything is a lifetime project. It can take a lifetime of enrichment to be capable of a creative imagination. The eye must be constantly trained to see the balance. One must cultivate constant awareness of the physical reactions and emotional pressures of your students. The movements must be drawn from emotional truth within the culture or the dancer becomes a puppet on strings. With just emotion and no culture or technique you do not have dance. Intolerance is a block. Tolerance grows out of wisdom not just emotion. This is why you do not usually find it in the young. They have no experience in life. ! From tolerance comes humility, and humility is forever in the heart of the true artist.

Much has been lost in our dance form because the carriers and performers of today are convinced that anything old is wrong. Therefore everything new is right. A sad fallacy! Be slow to censure. The new dancers are quick to criticize usually not recognizing their own faults.

From the Mediterranean people we can learn that an open expression of emotions can be good. An artist, either dancer or educator must bare their soul. With that comes responsibility. Feminine and masculine looks have been standardized. Furthermore no age has beauty if  not between 16 and 30. Therefore dancers are expected to look 16 and have the wisdom of someone 60. All of this needs to be set aside. All ages of maturity have a beauty of its own making! The difficulties in technique and performance must not be seen, or all is destroyed.Mahmoud's class 2011

CLASS IN OCEANSIDE CA

The dancer/teacher with the power to command attention and has the assurance of her own capability is the one who has technique yet can run on automatic as needed. You have to know what you are doing. A teacher or performer that is not technically competent is not an artist.

Tomorrow is not the time to start. Tomorrow like yesterday is an illusion. There is only “NOW”.  Do you love what you do? Will you love dealing with other types of personalities on a daily basis that maybe do not think like you? Do you love the warm-ups, the drills, the music. Do you think, dream, live and sleep to dance and share that knowledge with others. You cannot be selfish. You have to give. You cannot hold back information. Do you aspire to see people get better than you? Do you have anything to offer? Do you have enough to offer week after week, year after year. If so go for it. If not seek your happiness elsewhere.

Mahmoud Class 2010

Mahmoud Reda and Morwenna Assaf in San       Diego August 2010

 

No matter how great a talent you were born with, an artist can only be as great as the guidance you have had by your teachers etc. That is where character comes in. Being a dance artist or educator is hard work. You have to be willing to put in the time, suffer the misfortunes that come with this kind of career.

The career of teaching is considered more respectable than performing. The attitude that one teaches if one cannot perform is absurd. The truth is, the talent for teaching is far rarer than that of performing. It demands greatness and selflessness. Do not enter this career lightly. The influence of psychology makes you a power.. You are not teaching a superficial thing which can be thrown aside by the student. You are putting your mark on his body, which will never be totally forgotten. The body will always remember what has been taught. You must have wisdom. Wisdom can only be gained through knowledge and experience

Ibrahim (Bobby) Farrah – My teacher!bobby-at-his-best

Take on the moral responsibilities of an educator. Be more than a teacher. Be a technical adviser, a spiritual adviser, and psychological guide. It is not an enviable position. One needs to be “called”. An educator loves a talented student and wants the best for him. But you will have more untalented students than talented. You will need to teach each and want the best for that person also. No favorites allowed here!

An educated instructor must read and research a lot and with focus and organization. For stimulation you must have contact with others in the field. Keeping discussions open leads to thought and thought leads to stimulation, which leads to wisdom. You must know how to learn, for only in the ability to learn yourself can you help the student who often spends years wasting time just learning how to learn. The educator must be able to recognize the ultimate expression of the art form. Without this you lack the power to instruct. You must be able to look into your own soul because your soul is the mirror which reflects the souls of others. Within this mirror lies wisdom, wisdom is made up of a combination of courage, experience and reflection.

                                                                                                  Mahmoud Reda the Master of Egyptian                                                                                      Dance with Walid Assaf & David of Scandinavia
Oceanside CA

mahmoud-walid-david

A bad instructor is worse than a bad performer. The reason being his influence is more subtle and far-reaching. It is of more value to be a good teacher than to be a good performer. One who cannot inspire love and respect for the dance through teaching is a bad teacher. You cannot set your interests above that of your students. You cannot be selfish, self-centered, self-conscious or short sighted. You have to give your all! You cannot be scornful or a show-off and you must love working with people almost as much as you love the dance you represent. Having little knowledge or hoarding what you know is impossible. If you have no respect for this art form and the culture from which it comes, you are going to be a bad instructor. Anyone who stunts the growth of their students, or shuts them away from being inspired, or able to learn from others to gain multi-form knowledge is a very bad teacher. A great teacher is far, far greater than a great performer. It is always easier to give than to get. It takes eight concentrated years to train an ethnic dancer but it takes a lifetime to build a great instructor. Talent must be coupled with maturity.

You must be constantly balancing the high service of the art with the individuality of each student. We are servants of the dance form we practice and each student must be trained to understand for how best he can serve the dance form. The instructor will see the potential way before the student does. Then the teacher will guide the student by his individual temperament. It is the duty of the educator to bring out the best in the student and also of what the student is capable.

An educator should have no problems with someone who dances for fun. They are not dedicated to an artist’s life. Not every student needs to be a performer. Genius comes in many forms. It takes many facets in the art of dance to be fulfilled for true growth and representation. An instructor is both generous and objective. A good teacher wants his students to know all he knows, and gives generously of his time and expertise. There should never be a feeling of self-aggrandizement. This is not the place to be a diva. Have humility! There are no personal likes and dislikes to color your guidance of others. The good teacher doe

Kaninas RI

Class in Providence RI

s not give more or better attention to a favorite student. If she does she will violate her self-respect and thereby lose the respect of her students.

Let us study for moment the baby student, who is, the most difficult student you will ever have. These are the toughest to teach. That student is born with his own fire, and his fire is impatient. Often a new student to the dance wants to just go and not be led, as he resents following. But guidance they must have to be able to get to the next level. The good teacher must inspire and restrain as well as teach. You must gain total respect and keep it at any cost. Every artist must have a master, a more experienced master against which to learn. If you can teach a new student to see themselves clearly you will have given him the instrument he needs most. To be an artist one must be fired with confidence in your message. And dance is the message. You must also analyze yourself as the leader with the message, and work to make yourself worthy. That is what is meant by humility. One must be in awe of art not in awe of oneself as an artist.

Categories: Author, Belly Dance, Dance, Educator, Egyptian Dance, Ethnic Dance, Events, Intensive Classes, Lebanese Dance, Middle Eastern Dance, Orientale Dance and Folklore, Southe East USA, Uncategorized, Workshops | Leave a comment

2016 IN RETROSPECT -The South East as it is!

Cannot believe it is October. Where has this year disappeared to? I am writing this to give thanks for this year. It has been amazing and we have been very busy. We would like to give credence to some of the people who have gone out of their way to sponsor, befriend and yes have been there for us this year.

Living here in a tiny town outside Knoxville for the past 2 years has not always been easy. We have had sickness, lonliness, floods and bare times. But we also have had some wonderful times and have met some of the most amazing people. People who took a chance on us, and us on them. Yes, I am of the old guard when it comes to the dance but studying with Ibrahim Farrah on a weekly basis for 25 years and taking his 2x a year Teachers’ Intensives has helped. I still do not feel that what we learned those many years ago at Fazil’s and alos reinfoced in Lebanon a few years back is old hat. The roots of the dance still matter and certain things are Orientale and certain things are not. I would like to take my hat off to the newer generation of dancers whom I admire so much. They are doing a great job! They are involved with the roots of the dance and they stretch themselves to the utmost.

The dance in the South East is strong but very different from what Walid & I are used to. Remember we started our careers in the Massachusetts, Rhode Island area where the Middle Eastern culture is very strong. Then we went to San Diego area where there was also a strong community. Not like Boston but still active. Here in this area there is a community but you cannot find it as the Arabic community and the dance community are very separated. So we have had to step out of our comfort zone and head into various other areas. I would like to introduce to you several of the dancers from varying areas.They are worth knowing and are the future of our dance. Below are some people who like me are transplants to the South. We struggle with fitting in here but thank God have each other.

The first is a lady and her husband from Lexington KY. We met at a workshop I taught here in Knoxville in 2015. They are amazing! After moving from Florida 6 years ago they finally opened one of the most beautiful dance studios I have ever seen. I include her husband here as Ken supports his wife in every way. He is a photographer and does a superb job. Plus all the heavy running of the studio, Ken does. This dancer is Safiya Nawal. She is as amazing as a dance instructor, organiser and performer. She studied with a friend of mine from New York City who moved about 20 years ago to Florida. Hence the connection! Here is a little bit on her. Every dancer in the Lexington area should know her and know her worth. Photos by Ken Farrell of Arabesque Dance World.

                    Safiya NAWAR

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Safiya!

Arabesque World Dance in Downtown Lexington in January of 2013, in the hopes of sharing her knowledge and love of Middle Eastern and North African Dance with the community. Her classes have successfully attracted a faithful following of students from a diverse array of ethnic backgrounds, as well as a wide range of ages from toddlers to seniors.  Her talented approach at introducing stSafiya opened Arabesque World Dance in Downtown Lexington in January of 2013, in the hopes of sharing her knowledge and love of Middle Eastern and North African Dance with the community. Her classes have successfully attracted a faithful following of students from a diverse array of ethnic backgrounds, as well as a wide range of ages from toddlers to seniors.  Her talented approach at introducing students to the many styles of dance that make up her repertoire, include an intuitive understanding of how to break down those dances to the most basic of movements helping students excel in the classroom as well as on the stage. Most basic of movements helping students excel in the classroom as well as on the stage.

Our second person which I have met more recently. In fact I met her at a workshop I was teaching in Lexington KY. She is originally from the great state of New Jersey. A beautiful dancer that studied in Jersey under another friend of mine from my New York City days. Small world! Below is a little of her introduction to Nashville TN where she has resided for just over 2 years. So happy that she too as well as Safiya are intrerested in preserving the roots of the dance culturally. We have become fast friends due to our backgrounds in the dance. Her husband Craig also is an avid fan to the point where he is now studying the Arabic drum. He is her number one fan and ardent admirer. Again a husband who supports his wife in her career as teacher, performer and professional sponsor of artists and shows. Also like Ken, Craig is an avid photographer.

        MEL’KETA Raghba 

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Mel’Keta

A delightful and well trained dancer. Born of Polynesian decent, Mel’Keta is a Professional Belly Dancer and Instructor that has performed throughout the Northeast, Internationally, and throughout the Greater Nashville Tennessee area. Mel’Keta has made a journey through many art forms of dance, including ballet, modern, jazz, and ballroom dancing. Having been reared in the rhythms of the South Pacific Islands, her passion for dance has naturally brought her back full circle to the origin and relative art form of Tahitian and Oriental dance.  

Originally from New Jersey, Mel’Keta has studied throughout the Northeast  with many amazing instructors, as well as dance intensives with internationally acclaimed artists such as Elena Lentini, Samara (protégés of Ibrahim Farrah), and Ansuya. As an Entrepreneur, choreographer and costume designer, along with two Degrees in Accounting, Mel’Keta brings her love of dance and attention to detail together to create a joyous union that evokes a cathartic release to life in her performance as well as her teaching. Mel’ teaches classes in the Nashville area. Check her out Nashville. You will not regret it.

Unto these words by Ted Shawn, “Dance is the only art wherein we ourselves are the stuff it’s made of”, Mel’Keta structures her life and continues to bring joy to the hearts of many.

The third dancer I had known may years ago in NYC when she was just a kid. Now she is a a beautiful Orientale dancer that feels the music of the Levant. She is another transplant from the east coast but came by way of Dallas TX. The fact that we all met here in the South is synchronocity at its best. Several generations of dance are represented here. So another dancer and instructor to pay attention to. Magdelena now lives in Bowling Green KY and after being here just a few months has just started teaching in the area. Join her Boot Camp Belly Dance Class. Believe she will also be teaching Zumba.
MAgdelena Fusaro 

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Magdelena

She has been a performer & student of dance her entire life. With a background in Ballet, Jazz, Broadway Theater coupled with playing bass guitar in NYC rock bands, she has an extensive background on both the New York stage & in clubs.

She began her Middle Eastern dance studies with Serena Wilson in NYC. She also studied w/ Morocco, Nourhan Sharif and Anahid Sofian, in NYC. She has been in the Dallas area since late 2005

 

Ever the student, Magdelena travels to Egypt to study w/ the Egyptian dance masters at both festivals & in private classes. She also attends Middle Eastern dance workshops here is the US. She frequently returns to NYC to continue her studies w/ Nourhan Sharif, Azza Amon, and Turkish Master teacher Tayyar Akdeniz. She frequently studies with Vashti in Dallas.

 As a performer, Magdelena’s shows are high energy, full of sass & drama. She can been seen regularly at some of the DFW area’s finest Mediterranean clubs as well as performing at many of the area’s cultural events and festivals both as a solo artist and with the Na’Di El-Raks performance troupe of which she is the artistic director. She has also been a member of RAKSZ Middle Eastern Dance troupe and is the director of Banaat Masri an Egyptian Folkloric dance troupe.

As a teacher, Magdelena looks to inspire students to express joy through movement. She encourages her students to experience dance not only in the classroom, but through attending Hafla’s, workshops, drum circles, stage shows & visiting area restaurants where they feature dancing and music. In 2012 Magdelena became a licensed Zumba instructor.

This next lady lives in Knoxville TN. We met by accident when we first moved here. She is a perpetual student who loves the dance. She offered her help and friendship to us right from the start. She has attended workshops across the USA and is one of the foremost teachers in this area. We have had the pleasure of teaching in her beautiful studio and sharing our knowledge with her and her girls.

             SABYLLA 13173622_10207958816341010_1223422851434904927_nSabylla realizes that each sister student she meets brings with her different skill sets, life experiences and expectations or goals. Sabylla’s approach to teaching is student-centered — recognizing and respecting that every dancer she has the privilege of training has a unique reason for being there. 

Sabylla’s goal is to create an atmosphere conducive to  learning, creative expression and self-discovery. Her commitment is to share what she has learned and to further her students’ confidence and skill at a pace unique to the individual. See Sabylla’s website for more information and about her classes.

cindy-turnage

Shahira

Alexia

Alexia

There are others I would include. This would be Alexia and Shahira but I have done complete interviews on them already. Both of these ladies I know from our NYC days back in the 80’s. They have both been by my side from the moment we arrived here in TN. I thank them both from the bottom of my heart for welcoming us and making us feel at home. It was easier knowing we had friends here who understood us and our lifestyle of dance and music. 

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Walter & Denise at Holy Land

The final 2 people I would like to thank publicly both run establishments where Middle Eastern food and entertainment is offered. The first Being the Hoy Land Deli and Store. Walter & his wife Denise have had us there for several shows over the past 2 years. The shows here included both Folklore & Orientale.    

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Mirage

 The other is Omar Yusef who manages the Sky Box/Mirage downtown Knoxville. Omar has also been very gracious to offer us a place to show a different side of the dance. These 2 places do their best to present the dance in a good light. Thank you! And thank you everyone for being there for us.. A final word is thank you to everyone You will never know how much you have meant to us! 

Categories: Egyptian Dance, Ethnic Dance, Events, finger cymbals, Intensive Classes, Lebanese Dance, Middle Eastern Dance, Orientale Dance and Folklore, Southe East USA, Uncategorized, Workshops, Zills | Leave a comment

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